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"I would love to say I landed this but I didn't, I actually ended up landing on some guy paddling out, woops, didn't even see him..."© 2014 Hannah Crossley
Who said being a movie star was glamorous?! With ideas running thin on what the team could shoot as the visual metaphor for LIFE, they ended up lobbing eggs at Alan..."We had to slightly crack the eggs first just in case we knocked him out...everyone was laughing pretty hard."© 2014 Hannah Crossley
After shooting beach breaks for days on end, the guys were stoked to finally find a rock to shoot side angles from. "We shot it everyday for like a week and more often than not the shitty closeout would get the better of Al and he would come in annoyed, at one point we had to have a four day break because he was that frustrated by just going straight." - Tim© 2014 Hannah Crossley
"80's music rocks my world what can I say, good times and one hell of a night with the crew." - Stokesy© 2014 Hannah Crossley
A massive relief after dying of heatstroke from filming in the day. "The last 20 minutes of light at the end of the day is just gold when your filming, could we land anything, could we heck, ha ha sorry Tim, my round is it." - Stokesy© 2014 Hannah Crossley
It was a long few weeks of sunburn, surf, two-for-one cocktails and 80s nights out, and finally Episode 1 of StRaNGe Beautiful LIFE was ready to roll... did you like it?© 2014 Hannah Crossley
Welcome to the plateau. It's where we gather to watch Yago Dora soar above our heads.
These are the fortunate few. Many epic sessions have fallen by the wayside, victims to our ruthless monthly culls, but the results are wondrous to behold.
Patagonia is a challenging lover, said the English novelist, Bruce Chatwin. It haunts you, it bewitches you, it wraps you in its arms and does not let you go.
Welcome to the winners' podium. The cream of February lies before you in four spectacular Atlantic sessions, big barrels being the theme.
The symbiosis of surfer and winter. The Astray Collective and Finisterre bring you a short narrated by Matt Smith and produced by Mickey Smith